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BREAD AND TULIPS
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original title:
PANE E TULIPANI
directed by:
cast:
screenplay:
cinematography:
editing:
set design:
costume design:
music:
presented by:
Monogatari
producer:
production:
Monogatari, Istituto Luce, Rai Cinema, supported by MiBAC, Amka Films (Lugano), TSI (Lugano)
distributor:
world sales:
country:
Italy
year:
2000
film run:
115’
format:
35mm - colour
aspect ratio:
1:1.85
sound:
Dolby SRD
release date:
03/03/2000
festival & awards:
FILMFEST MÜNCHEN 2013: Viva Venezia
SOLOTHURN FILM FESTIVAL 2013: Rencontre Silvio Soldini
ANNECY CINEMA ITALIEN 2012: Cinéma des régions: la Vénétie
WORLDFEST-HOUSTON 2008: Panorama Italia
MOSTRA INTERNACIONAL DE CINEMA 2006: Section: Văo Livre do Masp
DAVID DI DONATELLO 2000: David di Donatello Awards: Best Actor (Bruno Ganz), Best Actress (Licia Maglietta), Best Cinematography (Ex aequo), Best Director, Best Screenplay, Best Sound (Maurizio Argentieri), Best Supporting Actor (Giuseppe Battiston - Ex aequo), Best Supporting Actress (Marina Massironi).
FESTIVAL DE CANNES 2000: Directors' Fortnight
During a coach tour, Rosalba, a forty-year-old housewife, is "forgotten" and left behind in a motorway service area. Her husband Mimmo and her sons notice her absence only after a while. This unexpected event triggers a strong desire within Rosalba's soul: she wants to escape from everyday's routine and decides, there and then, to go to Venice for a few days. After all, her family can wait. As soon as she arrives, she phones home, in Pescara, but the way her husband treats her induces her to stay in Venice longer than planned. Mimmo decides to send a detective after his wife: plumber Costantino. Meanwhile, Rosalba has found a job as assistant in the florist shop of nostalgic anarchist Natale and has also met a new friend: peculiar waiter Fernando, a lonesome of lcelandic origins who's fond of "Orlando Furioso". Rosalba hears her youngest son is having drug problems, therefore, she goes back to Pescara. But when she arrives at home she discovers those problems are not as serious as she was told. Thus she has finally returned to her dreamless life. However, as Femando watches the last petal falling from the tulips left by Rosalba, he decides to "go down to Abruzzi" and bring the woman back...
credits

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